September 16, 2020

The countless Hampden-Sydney alumni who learned the art of rhetoric from Dr. Victor N. Cabas, Jr. during his 35 years on the Hill will be pleased to know that the late professor’s novel, Postmodern Blues, has been published posthumously by Hypocrite Press.

A colorful character who became an institution in the College’s flagship Rhetoric Program, Cabas passed away unexpectedly in February 2018 as he was putting finishing touches on the novel. Finalizing the manuscript and finding a publisher has been a labor of love for several of Cabas’ former students from both Hampden-Sydney and the University of Virginia, where he taught during summer sessions.    John Howard ’03, Will Horstman ’03, and Dr. Timothy Daniels ’03 were among the first Hampden-Sydney students to spend time working on Cabas’ Nelson County farm, where their relationship with the professor deepened and extended into lifelong friendship as they built a stone chimney by hand—part of Victor’s ongoing efforts to reassemble an 18th century log cabin on the property. A number of students from UVA also worked the land with Cabas over the years, including Caine O’Rear, who went on to a career as a writer and editor. Howard, Daniels, and O’Rear reunited in May 2018 when Victor’s former students, colleagues, neighbors, and friends gathered to spread his ashes on a hilltop overlooking the restored cabin. As college students almost twenty years ago, the three men worked alongside Cabas to bring the cabin project to completion. In the two years since his death, they have worked together to see Vic’s other life work, Postmodern Blues, through to completion as well.    Now available for purchase in hard cover  and paperback , Postmodern Blues tells the story of Jack Shock, an English professor from Virginia who is on unofficial sabbatical in the highlands of Guatemala at the novel’s opening. “Fleeing a bad marriage and doomed academic career, Shock is lured home after learning his estranged father, a retired Air Force general, is on his way out,” O’Rear writes in his synopsis of the novel. “His return to the mainland sets off a mad-cap chain of events and the unearthing of a family secret that threatens to undo him. Along the way, Shock encounters a confetti of memorable characters in academia and the late-night bars of Charlottesville who illuminate this rollicking tragicomic adventure. Honest, not cynical, Postmodern Blues is a story about perseverance in the face of mortality, and the redemptive power of love.”  The novel will hold particular appeal to Hampden-Sydney alumni who fondly remember Cabas’ wit and wisdom, according to Howard and Daniels. “While Postmodern Blues is certainly not a direct reflection of Victor Cabas’ life, readers who knew Vic will fondly recognize many of his celebrated virtues and equally distinguished vices in the novel's protagonist. Former students will be transported back to entertaining and thought-provoking experiences in Morton Hall with obvious references to the likes of Melville, Conrad, Faulkner, McCarthy, and Twain, as well as more subtle allusions that could only be gleaned through a close reading of the type that Victor himself modeled in the classroom,” Howard and Daniels say of the novel. “So much of Cabas is evident to the reader: his sense of humor, love of classic American literature and music, fondness for his cabin and land, skepticism of academia in a vacuum and those who take themselves too seriously, fondness for students figuring things out for themselves, and ultimately the quality of his outlook on life: to make the best of things as they come and to try to do right by the people who matter.”  Both Howard and Daniels credit O’Rear with shepherding Postmodern Blues from a completed manuscript to a published book available for purchase. Beyond finding a publisher, commissioning cover art, and writing the novel’s introduction, O’Rear curates social media pages on Instagram  and Twitter  based on Cabas’ work. Howards and Daniels have come alongside O’Rear and supported his efforts to share their former mentor’s work with a wider audience. Now they hope other Hampden-Sydney alumni will join them in celebrating Victor and Postmodern Blues.  A colorful character who became an institution in the College’s flagship Rhetoric Program, Dr. Cabas passed away unexpectedly in February 2018 as he was putting finishing touches on the novel. Finalizing the manuscript and finding a publisher has been a labor of love for several of Cabas’ former students from both Hampden-Sydney and the University of Virginia, where he taught during summer sessions. 

John Howard ’03, Will Horstman ’03, and Dr. Timothy Daniels ’03 were among the first Hampden-Sydney students to spend time working on Cabas’ Nelson County farm, where their relationship with the professor deepened and extended into lifelong friendship as they built a stone chimney by hand—part of Victor’s ongoing efforts to reassemble an 18th century log cabin on the property. A number of students from UVA also worked the land with Cabas over the years, including Caine O’Rear, who went on to a career as a writer and editor. Howard, Daniels, and O’Rear reunited in May 2018 when Victor’s former students, colleagues, neighbors, and friends gathered to spread his ashes on a hilltop overlooking the restored cabin. As college students almost twenty years ago, the three men worked alongside the late professor to bring the cabin project to completion. In the two years since his death, they have worked together to see Vic’s other life work, Postmodern Blues, through to completion as well. 

Now available for purchase in hard cover and paperback, Postmodern Blues tells the story of Jack Shock, an English professor from Virginia who is on unofficial sabbatical in the highlands of Guatemala at the novel’s opening. “Fleeing a bad marriage and doomed academic career, Shock is lured home after learning his estranged father, a retired Air Force general, is on his way out,” O’Rear writes in his synopsis of the novel. “His return to the mainland sets off a mad-cap chain of events and the unearthing of a family secret that threatens to undo him. Along the way, Shock encounters a confetti of memorable characters in academia and the late-night bars of Charlottesville who illuminate this rollicking tragicomic adventure. Honest, not cynical, Postmodern Blues is a story about perseverance in the face of mortality, and the redemptive power of love.”

While Postmodern Blues is certainly not a direct reflection of Victor Cabas’ life, readers who knew Vic will fondly recognize many of his celebrated virtues and equally distinguished vices in the novel's protagonist.

John Howard ’03 and Dr. Timothy Daniels ’03

Postmodern Blues book cover imageThe novel will hold particular appeal to Hampden-Sydney alumni who fondly remember Cabas’ wit and wisdom, according to Howard and Daniels. “While Postmodern Blues is certainly not a direct reflection of Victor Cabas’ life, readers who knew Vic will fondly recognize many of his celebrated virtues and equally distinguished vices in the novel's protagonist. Former students will be transported back to entertaining and thought-provoking experiences in Morton Hall with obvious references to the likes of Melville, Conrad, Faulkner, McCarthy, and Twain, as well as more subtle allusions that could only be gleaned through a close reading of the type that Victor himself modeled in the classroom,” Howard and Daniels say of the novel. “So much of Cabas is evident to the reader: his sense of humor, love of classic American literature and music, fondness for his cabin and land, skepticism of academia in a vacuum and those who take themselves too seriously, fondness for students figuring things out for themselves, and ultimately the quality of his outlook on life: to make the best of things as they come and to try to do right by the people who matter.”

Both Howard and Daniels credit O’Rear with shepherding Postmodern Blues from a completed manuscript to a published book available for purchase. Beyond finding a publisher, commissioning cover art, and writing the novel’s introduction, O’Rear curates social media pages on Instagram and Twitter based on Cabas’ work. Howard and Daniels have come alongside O’Rear and supported his efforts to share their former mentor’s work with a wider audience. Now they hope other Hampden-Sydney alumni will join them in celebrating Victor and Postmodern Blues

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