The 2021 Fall Student Art Exhibit
December 6-11, 2021
Opening: Monday, December 6 | 4:30 pm followed by
Student research talk: Joseph Kelly ’22
Queer Art in the Contemporary World | 6 pm
With works from Art and Ecology, S eeing with the Camera, and Digital Photography classes
Brian Grogan: Documenting the Cultural Landscape
October 14 – November 23, 2021
For more than thirty years, Brian Grogan '73 has engaged in photographic documentation of historic sites and landscapes independently and for the National Parks Service and has over 10,000 images deposited in the U.S. Library of Congress. The exhibit features a representative sample of his work including views of Hampden-Sydney College, humble buildings in our immediate community that merit more study and documentation, as well as major built works and landscapes that have received formal register as significant sites of our national patrimony.
To Make a Mark
October 1-5, 2021
Organized to provide examples of drawing techniques for students in art studios, the show includes works by David Dodge Lewis, Sandy Willcox, Maruta Racenis, Roger Sayre, and Diana Dettamore, among others.
Student Art Pop-up Exhibit
May 5-8, 2021
The work includes Blake Page’s proposals for outdoor teaching spaces on campus, Miles Lowman’s tintypes of his football teammates, Charlee Fore’s photographs about the issue of domestic abuse, and Cade Davidson’s mapping of the many different birds that share campus with us.
Asterisks in the Grand Narrative of History
January 15 - April 4, 2021
A collaborative exhibit with the LCVA, H-SC, and eight artists, diverse strategies are used to address questions of how artists interrogate history, and resist and remake historical narratives in pursuit of a more just world.
Dorothea Lange, Manzanar, Japanese American Relocation
February 25-March 24, 2020
Photographs from the War Relocation Authority, 1942.
Arthur White '20 assisted in the curation of this art exhibit.
Wall Garden— a work in progress by Emma Steinkraus
January 13-February 11, 2020
In Wall Garden, artist Emma Steinkraus, has created an immersive wallpaper that combines her work with that of over 100 women who worked at the intersection of art and science before the 20th century.
Fall Student Exhibition
December 4-13, 2019
Featuring student art work produced in Fall 2019 studio classes including an installation by Art and Ecology.
Exodus Home —a photographic installation by Jay Simple
September 18- November 8, 2019
Jay Simple's recent photographic installation work. Simple is a visiting assistant professor at Longwood University.
Water, a Second Lens —videography of Alexandria Searls
August 19-September 6, 2019
Continuous screening of Searls' film and audio installation, "Immersion/Inversion," which brings the viewer beneath the river surface to move through the current and gaze up through the water at the sky.
Student Art Exhibit
April 18–May 6, 2019
Student works selected from 2019 studio classes including: Drawing 1, Painting 1, Color and 2-D Design, Photography 1, Multiple Images, and Art and Archive: Curatorial Practice.
Light Strikes Paper–lens-less photographs by Roger Sayre
March 21 – April 19, 2019
Sayre’s practice uses hands-on invention and discovery unified by chance and play. The works are made by illuminating photosensitive paper with filtered colored light in a dark room, forgoing both the camera and the film negative. Works are taken from the following projects: Halos, Ticks of Time, Vinyl Color Theory, and Spinning on Air.
Florilegium–paintings by Emma Steinkraus
February 6 – March 8, 2019
Unifying Steinkraus’ works is an attentiveness to tenderness and vulnerability. Inspired by the Arkansas Ozarks where she grew up, she combines intimate portraits with photo transfers of the landscape around her home. The paintings are informed by ecological research and Renaissance painters, especially Dürer, Bellini, and Botticelli. Often she references the Garden of Eden, which provides a compelling archetype for the entwining of ecological and emotional upheaval.
Josef Albers –Interaction of Color
October 31 – December 7, 2018
A selection of the silkscreen prints from the first edition of Josef Albers’ Interaction of Color (1963) exhibited in the order they were introduced in Albers’ color theory course, which he taught first at the Bauhaus in Germany, later at the Black Mountain College in North Carolina, and, finally, at Yale University. Courtesy of Greenwood Library Special Collections, Longwood University
Trace–recent photographs by Pam Fox
September 19 – October 20, 2018
“I am interested in still life imagery that combines the fluidity of drawing and painting with the optical specificity and technical control offered by photography. In this series of images, I am photographing backlit glass and other still life items through printed linen. Lit from behind, the still life casts shadows forward onto the linen. These shadows and the objects behind the loosely woven fabric distort and fuse. Cubist-like, the shapes break down as foreground and background merge. The resulting images are ambiguous, yet “straight” and un-manipulated photographs.”
Home is the Key: documentary photographs
June 10 – September 5, 2018
Hampden-Sydney photography students under the direction of Professor Pam Fox collaborated with Farmville Area Habitat for Humanity to explore the relationship between education and housing inequality through the medium of documentary photography.
Student Art Exhibit
April 18 – May 6, 2018
Senior thesis work by Harrison Lawrence, Conor McCabe, and Conner Williams with selected works from visual arts studios in portraiture, digital photography, and independent study.
Friends, Family, Students, and Colleagues–portraits by David Dodge Lewis
March 14 – April 20, 2018
A retrospective exhibit of Professor Lewis’ portrait paintings on the occasion of his retirement from the College after thirty-one years.
player piano/lullaby—recent photographic work by Alex Grabiec
January – February 23, 2018
